1. Development of a personal vision

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A vision of one’s own never simply comes falling out of the blue. A vision nestles almost unnoticed as a seed that silently demands attention and care in order to germinate. Thus it happened with me, although I knew from my first brushstroke that perceptible reality would be my model. Halfway through the 70-ies of the former century this was by no means something that went as a matter-of-course, as painting as an art-form was declared more or less deceased, while realistic painting was considered a fossil.

Old Jewish cemetery, 1979, o/c, 35x45 cm.
Old Jewish cemetery, 1979, o/c, 35x45 cm.

Be that as it may, in 1977 I started, not hindered by any form of schooling, to paint everything I came across: pots and pans, fruits, interiors, landscapes, nudes - it didn’t matter, as long as I could see it.

Demolition, 1980, o/c, 100x80 cm.
Demolition, 1980, o/c, 100x80 cm.

Nevertheless, it wasn’t long before I began to lose interest in charming landscapes, classical nudes and still lifes with fruit. I began to see the beauty of the ugly and the imperfect. In the city I began seaching for derelict neighbourhoods and building sites.

But soon I considered that slightly over the top. The next refinement was the discovery of the beauty of everything ordinary. Our shopping on a table, or the view at the balconies of the apartments at the back of the house we lived in at the time.

Perspective, 1982, o/c, 201x121 (collection Amsterdams Historisch Museum, Amsterdam)
Perspective, 1982, o/c, 201x121 (collection Amsterdams Historisch Museum, Amsterdam)

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